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Sunday, June 7, 2026

Voguing | Dance Style - Sketchbook Notes on Harlem, Body, Stage and Audience



"Strike a Pose!" Laurence Fournier Beaudry & Guillaume Cizeron | Rhythm Dance #MilanoCortina2026

Sketchbook page by Pieter Lategan, Silent Monumentalism, voguing study, 2026, created in Pretoria, South Africa, showing handwritten notes on voguing, body movement, belief, strength and fashion-model poses, focusing on presence, gesture and performance.

Voguing and the Body - Sketchbook Page 005

My Confession to God Today

O God, I am hard to reach.

My meaning is that You make us strong enough to believe, because You let me know, You let me feel, and You let me learn what it means to be a king and a warrior.

Kings do not make themselves strong only by themselves. They become strong because You choose where to place them. It is important for them to speak, to find strength, to carry responsibility, and to show respect.

Voguing

Voguing is a dance style inspired by the poses of models in fashion magazines.

Video reference note:
YouTube — Vogue Supremacy — 90s Ballroom Style — Derek Faces
Final spelling of the video title must still be checked before publication.

Silent Monumentalism — Voguing
Pieter Lategan
21 April 2026, 2:42 PM
Pretoria, South Africa


Sketchbook page by Pieter Lategan, Silent Monumentalism, voguing study, 2026, created in Pretoria, South Africa, showing handwritten notes on Harlem ballroom culture, angular poses, dramatic movement and the body as visual structure, focusing on stage presence and performance.

Voguing as Dance Style - Sketchbook Page 006

Voguing is also known as vogue dance.

It is a dance style born from the LGBTQ Harlem ballroom scene of the late 1970s and 1980s.

It is named after the famous fashion magazine Vogue. It draws inspiration from fashion modelling, couture, angular poses, and Egyptian hieroglyphics.

In this ballroom dance, dancers use sharp angles, dramatic poses, and intricate hand movements. It mimics the poses of runway models and turns the body into a strong visual structure.

The dance is dramatic, controlled, acrobatic, and expressive. This dance form uniquely celebrates the body.

Harlem, New York, Manhattan, is an intellectual, cultural, and artistic hub for people of colour.

135th Street Station connects to the history of Harlem.

The name Harlem comes from Dutch settlers and refers to Haarlem in the Netherlands.

Silent Monumentalism — Voguing
Pieter Lategan
21 April 2026
Pretoria, South Africa


Sketchbook page by Pieter Lategan, Silent Monumentalism, Harlem study, 2026, created in Pretoria, South Africa, showing handwritten notes on St. Nicholas Park, Central Harlem, jazz, streets, Apollo Theater and performance culture, focusing on memory, music, place and cultural structure.

Harlem, Park, Jazz and Performance Space - Sketchbook Page 007

St. Nicholas Park.

The area connects to Dutch-American history, St. Nicholas Park, City College, immigrant communities, and Hamilton Heights.

Central Harlem.

Jazz developed here and became part of mainstream African-American music and culture. The music, the streets, and the jazz players all form part of this history.

This reminds me of jazz.

A difficult past is carried through music. Music tells stories about what happened in the streets, in history, and in the lives of people.

Adam Clayton Powell Jr. Boulevard and Harlem streets become signs, symbols, and structures in the memory of the city.

The Apollo Theater is a venue for performance.

Soul food, Harlem, Black culture, clothing, street life, music, and performance become part of the same visual field.

Spanish Harlem and wider Harlem communities form part of this cultural landscape.

Silent Monumentalism — Harlem
Pieter Lategan
21 April 2026, 22:25
Pretoria, South Africa


Sketchbook page by Pieter Lategan, Silent Monumentalism, Harlem study, 2026, created in Pretoria, South Africa, showing handwritten notes on Morningside Heights, Manhattan, Harlem, video references, poses, movements and voguing revival, focusing on place, dance history and cultural memory.

Harlem, Morningside Heights and Dance History - Sketchbook Page 008

Harlem is home to large Dominican and Puerto Rican communities.

Morningside Heights.

Riverside Park and General Grant National Memorial are part of the historical landscape of Manhattan.

Manhattan.

Video reference note:
YouTube video — Visit the Iconic History of Harlem, New York
Approximate playtime: 21:49 minutes.

Video reference note:
YouTube — New York: The Voguing Revival
BBC Travel Show.

The story is about poses and movements.

Voguing came from Harlem. It came from drag shows, ballroom culture, pose, movement, identity, and performance.

Silent Monumentalism — Harlem
Pieter Lategan
21 April 2026
Pretoria, South Africa

Sketchbook page by Pieter Lategan, Silent Monumentalism, stage study, 2026, created in Pretoria, South Africa, showing handwritten notes on voguing, performer and audience relationships, stage movement and participation, focusing on presence, transition, spectatorship and performance space.

Observation: Performer, Audience and Stage - Sketchbook Page 009

Observation: I see an interesting stage.

It is not only the performer who performs. The public also becomes part of the performance.

While the performer performs, the audience stands around the performer and watches how the performance happens.

When the performer wants to perform, he steps out of the audience and moves into the circle or stage. He becomes the performer.

When he finishes his dance, or his voguing, he moves back into the audience and becomes a spectator again.

The audience is part of the stage.

Within this movement, the person can become performer, actor, dancer, viewer, and participant.

The audience may also mimic or copy the steps with their hands and bodies.

This dance style was born from a marginal space and later became known by a broader public.

Silent Monumentalism — Stage
Pieter Lategan
21 April 2026, 22:47
Pretoria, South Africa



New York: The voguing revival! - BBC Travel Show | 2020





Tuesday, June 2, 2026

Gravitas Academic Monument — Plastic Shell and Cement Fill Study

 

Process photograph by Pieter Lategan, Silent Monumentalism, Gravitas Academic Monument, 2026, created in Pretoria, South Africa, showing a reflective gold trophy shell model on a studio table with tools and working papers, focusing on structure, shell construction and material presence.

Plastic Shell Study — Reflective Vertical Monument on Studio Table

Reflective shell model on the studio table, testing vertical form, base structure and material presence.

Process photograph by Pieter Lategan, Silent Monumentalism, Gravitas Academic Monument, 2026, created in Pretoria, South Africa, showing the trophy model from the side with laptop, tools and studio surroundings, focusing on scale, proportion and construction process.

Side View of Working Trophy Shell with Studio Tools .23

Side view of the working model with studio tools and background context.


Process photograph by Pieter Lategan, Silent Monumentalism, Gravitas Academic Monument, 2026, created in Pretoria, South Africa, showing a reflective shell prototype with stepped base and open construction details, focusing on balance, void and structural testing.

Folded Shell and Stepped Base Construction Study

Folded shell and stepped base study, showing how the object begins to hold weight and void.

Process photograph by Pieter Lategan, Silent Monumentalism, Gravitas Academic Monument, 2026, created in Pretoria, South Africa, showing a silver-grey shell version of the trophy study on the work table, focusing on form, surface and construction testing.


Silver-Grey Shell Construction Study for Academic Monument

Silver-grey shell study showing the same monument form in a quieter material tone.











This page forms part of the continuing sketchbook and studio process archive for the Gravitas Academic Monument — Best Academic Achiever of the Year, a school trophy concept by Pieter Lategan | STUDIO, Pretoria, South Africa.

This second page focuses on the plastic shell and cement fill study. The photographs show a working model placed on the studio table, together with tools, notes, sketchbook pages, material studies and construction references. The object is still in process. It is not presented here as a final trophy, but as part of the visual thinking and structural testing behind the work.

The study explores how a vertical form, a stepped base, a hollow shell, and a central void can hold weight and presence. Within the language of Gravitas, the object is not treated as decoration. It is treated as a small architectural monument: a structure that must carry silence, balance, weight and material seriousness.

The reflective gold and silver surfaces in these photographs are part of the process investigation. They help test form, edge, shadow, visibility and finish before the object is resolved as a final studio piece. The sketchbook pages show colour notes, void studies, ground area planning and material decisions connected to the larger development of the work.

This process is part of my ongoing studio work in Silent Monumentalism and Gravitas, where structure, silence, weight, surface and material presence remain central.


Gravitas Academic Monument — Process Series

This page forms part of a continuing sketchbook and process archive for the Gravitas Academic Monument — Best Academic Achiever of the Year, a school trophy concept by Pieter Lategan | STUDIO, Pretoria, South Africa.

For the wider studio framework, see Silent Monumentalism principles and Gravitas as a discipline within Silent Monumentalism.

Related archive: Silent Monumentalism Online Handbook.


Monday, June 1, 2026

Gravitas Academic Monument | Trophy Base and Mould Study

 This sketchbook and process sequence documents an early construction study for the Gravitas Academic Monument — Best Academic Achiever of the Year, a school award concept by Pieter Lategan | STUDIO, Pretoria, South Africa.

The work explores how a small academic trophy can be built from simple geometric forms using a combination of 3D-printed plastic, cement or stone-composite fill, and a cast base structure. The study focuses on proportion, weight, silence, material presence and practical construction rather than decoration.

The base study examines how a rectangular foundation can be cast with a central opening or recess, allowing the upper trophy elements to sit into or onto the structure. This process belongs to the wider development of Silent Monumentalism and Gravitas, where balance, discipline, structure and material seriousness are treated as part of the final object.

This is not a generic trophy-cup design. It is a small monument to learning, effort, academic discipline and achievement.

Sketchbook page by Pieter Lategan, Silent Monumentalism, trophy base study, 2026, created in Pretoria, South Africa, showing hand-drawn measurements for a rectangular academic trophy base, focusing on structure, proportion and material planning.

Gravitas Academic Monument Trophy Base Sketch

Early sketchbook measurement study for the base of the Gravitas Academic Monument trophy system.

Sketchbook page by Pieter Lategan, Silent Monumentalism, mould study, 2026, created in Pretoria, South Africa, showing a rectangular casting block with a central opening, focusing on how a base could be moulded for a trophy.

Academic Monument Casting Block Study

Sketchbook note exploring how to cast a specific base block with a central hole or recess.

Process photograph by Pieter Lategan, Silent Monumentalism, mould prototype, 2026, created in Pretoria, South Africa, showing a handmade rectangular cardboard mould with an inner opening for a trophy base study, focusing on casting structure and construction testing.

Gravitas Academic Monument Mould Test

Handmade prototype mould testing the shape of the rectangular base and central recess.

Process photograph by Pieter Lategan, Silent Monumentalism, casting mould study, 2026, created in Pretoria, South Africa, showing a handmade rectangular mould on a studio table with a metal strip used to test spacing and form, focusing on base construction and material planning.

Silent Monumentalism Trophy Construction Study

Process view of the mould study while testing the relationship between the base and upper trophy elements.

Process photograph by Pieter Lategan, Silent Monumentalism, base mould study, 2026, created in Pretoria, South Africa, showing a side view of a handmade card mould for a rectangular trophy base, focusing on height, edge structure and practical casting preparation.

Gravitas Base Form Construction Test

Top view of the mould prototype, showing the base shape and internal recess area.

Process photograph by Pieter Lategan, Silent Monumentalism, mould prototype, 2026, created in Pretoria, South Africa, showing a top view of a rectangular handmade mould with an internal opening, focusing on a cast trophy base and recessed centre.

Academic Monument Base Recess Study

Side view of the handmade base mould showing the low rectangular form and edge construction.

Process photograph by Pieter Lategan, Silent Monumentalism, studio prototype study, 2026, created in Pretoria, South Africa, showing hands cutting reflective card material for a handmade trophy mould, focusing on practical construction and early product testing.

Studio Process for Gravitas Academic Monument

Studio process image showing the cutting and adjustment stage of the handmade mould prototype.



Process photograph by Pieter Lategan, Silent Monumentalism, handmade prototype detail, 2026, created in Pretoria, South Africa, showing hands cutting and preparing card material for a trophy mould, focusing on manual process, structure and material experimentation.

Gravitas Trophy Mould Material Study

Hand-Cut Prototype Detail for Trophy Base



Wilson Phillips - Hold On | Official Music Video | 27 Febrruary 1990

Notes:

“This study documents the early development of a mould and base system for the Gravitas Academic Monument, a school trophy concept by Pieter Lategan | STUDIO. The process explores plastic, cement, weight, structure and material presence as part of Silent Monumentalism.”



Gravitas Academic Monument — Process Series

This page forms part of a continuing sketchbook and process archive for the Gravitas Academic Monument — Best Academic Achiever of the Year, a school trophy concept by Pieter Lategan | STUDIO, Pretoria, South Africa.

For the wider studio framework, see Silent Monumentalism principles and Gravitas as a discipline within Silent Monumentalism.

Related archive: Silent Monumentalism Online Handbook.

Sunday, May 24, 2026

Structure Study — Weight, Space and Material Presence

 

Pencil sketch by Pieter Lategan, Silent Monumentalism, structure study, 2026, created in Pretoria, South Africa, showing two abstract block-like forms with dark hatching, construction lines and a small base, focusing on weight, balance, silence, space and material presence.

Pieter Lategan - Structure Study, Weight, Space and Material Presence, 2026

This sketch is part of my ongoing studio work in Silent Monumentalism and Gravitas.

The drawing shows two simple structural forms placed in relation to one another. One form sits lower and stretches outward, while the other rises more vertically with a heavier upper mass and a smaller base below it. The sketch is not about decoration or a finished object. It is a study of how weight can be felt through placement, shadow, proportion and silence.

The pencil marks are important because they show the thinking inside the work. The construction lines, darker areas, repeated hatching and rough corrections all form part of the studio process. They show how a form is tested before it becomes more resolved. The work is not trying to explain too much. It is asking how two masses can hold space between them.

Within Silent Monumentalism, this kind of study helps me think about structure, stillness and presence. Within Gravitas, it becomes a way to test balance, pressure, support and the quiet tension between forms.

The darker pencil areas give the forms a sense of density. The lighter surrounding lines keep the drawing open, almost like an architectural note or a studio plan. The result is a small sketch, but the concern is larger: how matter occupies space, how silence can carry weight, and how a simple structure can begin to feel grounded.

Pieter Lategan | STUDIO
Pretoria, South Africa


Friday, May 8, 2026

Gravitas Object Study | Weight, Balance and Silence

 

Graphite sketch by Pieter Lategan, Silent Monumentalism, Gravitas object study, 2026, created in Pretoria, South Africa, showing a small abstract sculptural structure with a rectangular base, a sloped front form, a vertical support, and a dark upper block, focusing on weight, balance, structure, and silence.

Silent Monumentalism | Early Gravitas Object Study
Artwork by Pieter Lategan 8 Mei 2026

Wednesday, May 6, 2026

Gravitas Research Notes | Roman Virtue, Weight and Discipline

 Pieter Lategan | STUDIO

Pretoria, South Africa
2026

This post documents early handwritten research notes on Gravitas as a developing discipline within Silent Monumentalism.

These pages form part of the first written investigation into the word gravitas and its connection to weight, dignity, seriousness, restraint, responsibility, and discipline.

At this stage, I am not using Gravitas as a decorative style or a design trend. I am using it as a way to think through how forms hold themselves, how space carries weight, and how material presence can feel grounded, serious, and controlled.

Gravitas is being developed within Silent Monumentalism as a discipline of:

balance
space
weight
proximity
silence
material presence

The word itself has a long history. It is connected to seriousness, dignity, weight, and importance. In Roman thought, gravitas was also associated with restraint, moral seriousness, responsibility, and commitment. This connection matters to my work because Silent Monumentalism is also concerned with weight, stillness, structure, and controlled presence. Gravitas is commonly defined through ideas such as weight, dignity, seriousness, and importance, with Latin roots in heaviness and seriousness.

For me, the important movement is from the meaning of the word into a visual and material discipline.

The question becomes:

How can a small object hold weight?
How can a gap create pressure?
How can a simple block carry seriousness?
How can space become active?
How can material feel quiet but still powerful?

These notes are not final statements. They are working pages.

They show the beginning of a research path that will continue through sketchbook studies, structural drawings, heavy desk objects, small sculptures, paintings, and future architectural ideas.

Gravitas will be tested through form, not only through language.


Handwritten sketchbook page by Pieter Lategan, Silent Monumentalism, Gravitas first writings, 2026, created in Pretoria, South Africa, showing early notes on balance, space, weight, proximity, silence, and material presence, focusing on Gravitas as a developing discipline.

P135 | Gravitas - First Writings about Balance, Space and Material Presence

Page 135 — First Writings about Gravitas

Gravitas

First writings about Gravitas.

Gravitas is a discipline within Silent Monumentalism.

Gravitas is a discipline concerned with:

balance
space
weight
proximity
silence
material presence

What it is not:

It is not decorative.
It is not only a mood.

It is how forms hold themselves, how space carries weight, and how matter feels grounded, serious, and controlled.

Gravitas - Silent Monumentalism
Pieter Lategan
29 April 2026, 16:51
Pretoria, South Africa




Sketchbook Note - The Beginning of Gravitas

 Pieter Lategan | STUDIO

2026

Today marks the beginning of a new sketchbook direction: Gravitas.

Gravitas is being developed as a discipline within Silent Monumentalism. It will become a way for me to study balance, space, weight, proximity, silence, and material presence through drawings, diagrams, notes, objects, and future sculptural studies.

The work is still at the beginning.

At this stage, I am not presenting a finished visual language. I am opening a field of investigation.

The first studies will focus on:

  • grounded base masses
  • cantilevers
  • constructed voids
  • vertical pressure
  • supporting volumes
  • secondary platforms
  • structural tension
  • forms that feel quiet, heavy, and controlled

I am especially interested in the idea that empty space is not always empty.

A void can carry pressure.
A gap can create tension.
A small object can hold monumental presence.

The first drawings and structural studies will follow soon. They will begin to show how Gravitas may look, how it may be built, and how it may become part of the wider language of Silent Monumentalism.

For now, this note is the starting point.



Kevin Eikenberry - What Gravitas REALLY Means?

Pieter Lategan
Pieter Lategan | STUDIO
Pretoria / Gauteng, South Africa
6 May 2026